Songwriting Collaboration Curt Bisquera

Songwriting Collaboration Curt Bisquera, In the first place I sent a song to some friends for opinions on how to make it better.

Legendary drummer Curt Bisquera input arrived first. He suggested the sections could be shorter. And that it need a melody plus possibly a B progression.

So I shortened up the section in Logic Pro.

Here is the song at this point.

Songwriting collaboration The Baked


Songwriting collaboration The Baked In the first place, I’m into music collaboration lately. I wrote this song back in 2001. In fact, I used some drum machines, sound modules, and Visions. Last night I put some live drums on it. And I sent it to my friends asking for their advice or playing.

The song came out sounding like a night (from an audience member’s perspective) at the Baked Potato in Los Angeles California.

In a word, I am looking to make music with friends both old and new. Its all for fun and everybody who contributes get equal credit.

Help us write Songwriting collaboration The Baked by clcing below or commenting on the facebook page.

https://www.facebook.com/kenhadamusic/posts/108288204636029

Jeff Grosso Exposure Skateboard Cyanotype

Jeff Grosso Exposure Skateboard
Jeff Grosso Exposure Skateboard Event

Jeff Grosso Exposure Skateboard Cyanotype. To begin with I am taking pictures at the Exposure event. I am at one of the pool practices. I turn to see if anyone is on the vert ramp. And there is Jeff. Another key point, I had a Holga camera loaded with 120 film. I asked KJeff if we could take a picture. In due time I developed the film and found this picture.

At the present time I am working on alternative Process. In this case Cyanotypes. Which are a printing process from the 1800’s. Thus Grosso via Holga, 120 film, developed at home on Cyanotype.

Dense Negative Light Emulsion Cyanotype

Cyanotype Prints 2021-02-14

Dense Negative Light Emulsion Cyanotype Lizzie Armanto
Lizzie Armanto Bellmar’s, Jeff Grosso Exposure

Dense Negative Light Emulsion. To start, the print of Lizzie Armanto (at Bellmar’s) is a dense high contrast negative. While the negative of Jeff Grosso (at Exposure) is thinner flatter negative. And the emulsion is a thin coating. Finally the exposure was hazy late afternoon sun for 15 minutes.

Maybe a dense negative works better on a light application of emulsion?