John Stamos and Ken Hada Celebrity IOU

A Side of John Stamos Few Have Seen

John Stamos and Ken Hada Celebrity IOU. I’ve known John for nearly 50 years. Before television, fame, or any of the things people associate with his name, he was simply a kid who showed up—curious, kind, and fully present. That part of him never changed.

If you want to see a side of John Stamos that few have seen, watch our episode of Celebrity IOU on HGTV.

How We Met

I met John back when we were still kids. His parents lived one street over from a family friend. I was doing a magic show in our friend’s backyard—one of those small, innocent neighborhood moments you don’t realize will become a lifelong memory.

Word got around, and John showed up. Before I knew it, he was up on “stage” with me. I was surprised… and honestly impressed. He was good at magic. We exchanged phone numbers, and that simple moment turned into a friendship that’s lasted across decades.

John Stamos and Ken Hada Celebrity IOU

Marching Band, Ireland, and the Milestone Years

In high school, John and I were both drummers in the marching band. Our band toured Ireland, and John and I were roommates on that trip. It was a milestone experience for me—one of those rare chapters that permanently changes how you see the world.

We also did what friends do: went to amusement parks, watched stunt shows, and stayed connected through the everyday stuff that ends up mattering most.

Watching My Friend Become “John Stamos

As John’s career took off, I watched him step into a life that most people only see from a distance. There were moments where I’d call him and he’d answer from a TV set, like:

John Stamos and Ken Hada Celebrity IOU

“Hey Ken, I’m about to shoot a scene—are you okay? Can I call you back?”

And suddenly my friend was a star.

John landed a role on General Hospital, and at one point he even helped me get a job as a photographer’s assistant. I have so many stories from those years that I really should write them down.

The Career Everyone Knows — and the Friend I’ve Always Known

John’s career is incredible. He never stopped working, and his name became part of American culture. It’s almost funny how often his name gets dropped in shows and movies—like he’s a reference point for an entire era.

And then there’s the music. John has always loved the Beach Boys, and because of him I’ve been one of those lucky people who’s gotten to see that legendary band perform live since the 1980s.

But through every version of his life—early days, Full House years, everything after—our friendship has always come back to shared interests: drums, creativity, technology, cameras, music, making things.

Why Celebrity IOU Meant So Much

John has always shared what he has with the people he loves. The opportunity to be part of Celebrity IOU—and to have my garage remodeled—was one of those gifts.

This episode isn’t just about a renovation. It’s about history, gratitude, and a friendship that started long before anyone outside our neighborhood knew his name.

If you’re a fan of John Stamos, Jonathan Scott, and Drew Scott, I think you’ll really enjoy this one.

Abstract photography exploration

Abstract photography exploration is a series of images I am creating. First, I don’t exactly know what abstract photography means. And sometimes I confuse abstract and surreal photography. But abstraction has always fascinated me.

"slippage" abstract photograph
abstract photograph
“pink dancer” abstract photograph

The End of Film Photography, an analog exploration

the end of film @thendofilm Ken Hada
the end of film @thendofilm Ken Hada

The end of film reminds me that there are ideas hidden in everything. To start, I recently created an Instagram account called the end of film or in the Instagram language @thendofilm. This all came about from a summer chore. And that chore was the archiving of old 35mm film negatives. Something I did over the summer in 2019. So how could a chore spark an idea?

During this chore, I found these half-pictures in just about every roll of film. In fact, the truncated photo occurs near the start of the film. And most times it would cut the image in half. And at first, these defective frames seemed useless. I thought these little imperfect images were sad. Because there was this possibly perfect picture cut in half. But sometimes the meaning of things change.

Soon I was collecting these unusual snippets of film. Because I began to find them interesting. I thought they showed potential instead of failure. The blown-out part of the film represented what could have been. At certain times the bright part of the film sort of looked like a gateway.

The end of film or this place where light washes away reality can be a fun concept to explore.

I look at these images and wonder what happened before everything went white. The gateway can represent a beginning or an end.

Is the blown-out area a jumping-off point for time travel?

Is the blown-out area space where time does not exist? And when the white fades into a legible picture is that the threshold where time begins? Or did I spend too much time on Inner Space when I was young?

In the end, this place where the machine starts or stops becomes an interesting place to explore. Check out my end of film pictures on my Instagram account @thendofilm

Scan this nametag on Instagram to follow thendofilm

How to scan a nametag on Instagram

magician Michael Weber podcast unedited

A long time ago in a galaxy far far away I met magician Michael Weber. I was an elementary school kid looking for the latest in magic (the magician type). The time period was the 1970’s and the locations southern California. Michael worked at the The Magic shop. Michael Weber had a strong impact on my young self.  You just don’t meet a guy like this everyday. Weber always made me laugh, amazed me, and was always kind to me. So how do you reconnect from a galaxy far far away (Twitter I guess)? And as you may have guessed Michael Weber is that same force of imagination, creativity and kindness, that he always was!

Lastly, if Michael Weber were to hear this podcast he would gently remind me ” every dance is too long” or “if it can be cut it must be cut”, and of course he’d be correct. But alas my style of conversation (podcast) goes against many of the wise concepts Michael genrously offered up in our chat. Even so, hopefully Michael’s wisdom and good sense will still prevail over my uncut unedited style of  conversation.

Finally lets cut through this SEO-bullshit-intro. Michael Weber is someone I looked up to as a kid and still look up to. And I was surprised also very happy to have a conversation with him. I hope you enjoy this conversation with Michael Weber as much as I did having it.

Every Dance is Too Long Michael Weber complete


John Stamos Universal Studios 1982

Ken Hada John Stamos Universal Studios 1982
Ken Hada John Stamos Universal Studios 1982

 

John Stamos text me this photo a few weeks ago. I had sent it to him decades back. I shot this when I was in High School with one of those plastic pocket 35mm film cameras. Probably had it developed at the K-Mart his mom used to go to. John would have auditions in Hollywood, and I would sometimes go along to hang out. On this particular day I remember we did not have enough money to get into Universal Studios. John Stamos and I used to like to watch the stunt show (because we were nerdy that way). At this time there was a huge ivy covered hill in front of Universal Studios (just above one of the parking lots) with a medium size chain link fence on top. Yeah you guessed it. Like most high schoolers we had a great time disrespecting authority.







As a photographer I try to surround myself with people who know more than me.

Greg Rager film lecture
Greg Rager film lecture

Im a drummer who used to do photography a long time ago. In the last ten years or so I have taken an interest in photography again. If you are getting back into photography, or just starting I assure you that classes and lectures will be a fun and interesting pursuit. Wonderful things happen when a room full of photographers (with varied skill sets) get together. And of course the worse photographer gets the most benefit.